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From Bombay to Bollywood: The Making of a Global Media Industry

Aswin Punathembekar - From Bombay to Bollywood
Aswin Punathambekar From Bombay to Bollywood The Making of a Global Media Industry NYU Press, 2013

The transformation of the national film industry in Bombay into a transnational and multi-media cultural enterprise, which has come to be known as Bollywood.

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From Bombay to Bollywood analyzes the transformation of the national film industry in Bombay into a transnational and multi-media cultural enterprise, which has come to be known as Bollywood. Combining ethnographic, institutional, and textual analyses, Aswin Punathambekar explores how relations between state institutions, the Indian diaspora, circuits of capital, and new media technologies and industries have reconfigured the Bombay-based industry’s geographic reach. Providing in-depth accounts of the workings of media companies and media professionals, Punathambekar has produced a timely analysis of how a media industry in the postcolonial world has come to claim the global as its scale of operations.

Based on extensive field research in India and the U.S., this book offers empirically-rich and theoretically-informed analyses of how the imaginations and practices of industry professionals give shape to the media worlds we inhabit and engage with. Moving beyond a focus on a single medium, Punathambekar develops a comparative and integrated approach that examines four different but interrelated media industries–film, television, marketing, and digital media. Offering a path-breaking account of media convergence in a non-Western context, Punathambekar’s transnational approach to understanding the formation of Bollywood is an innovative intervention into current debates on media industries, production cultures, and cultural globalization.

Aswin Punathambekar
Written by
Aswin Punathambekar

Dr. Aswin Punathambekar is an Associate Professor in the Department of Media Studies at the University of Virginia. Aswin’s research and teaching focus on the impact that globalization and technological change have on the workings of media industries, formations of audiences and publics, and cultural identity and politics. He is the author of From Bombay to Bollywood: The Making of a Global Media Industry (NYU Press, 2013), co-author of Media Industry Studies (Polity, 2020), and co-editor of Global Bollywood (2008), Television at Large in South Asia (2013), and most recently, Global Digital Cultures: Perspectives from South Asia (2019). He is currently completing a co-authored book, titled The Digital Popular: Media, Culture, and Politics in Networked India (forthcoming, 2022).

He serves as an editor of the peer-reviewed journal Media, Culture and Society and co-edits the Critical Cultural Communication book series for NYU Press. He also serves on the Board of Jurors for the Peabody Awards.

Thesis: We Are Like This Only: Desis and Hindi Films in the Diaspora

Aswin Punathambekar Written by Aswin Punathambekar