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re:constructions  


INTRODUCTION
The re:constructions project

re:constructions is an on-line resource and study guide, designed to spark discussions and reflections about the media's role in covering the events of 11 September 2001 and their aftermath. As millions of people around the world sit glued to their television sets, even as we write, we feel it is important to encourage critical analysis of the words, images, and stories which fill the media - as well as the ones we are not hearing or seeing. We hope this site will be used to help inform discussions in schools, places of worship, union halls, civic gatherings, and homes as people struggle to make sense of what is happening and to sort through their competing emotions about these events.

We are not offering answers here so much as encouraging people to ask hard questions before they rush to judgement and action. We do not present these essays as the work of experts - although in some cases we have included pieces from important commentators, past and present. Most of us are still learning how to think critically and theoretically about the media ourselves. All of us are too torn apart by these events to have any certainty about the adequacy of our words and our knowledge to respond to such a situation. But, we want to share what we know and what we think and what we feel. We want to see if these ideas might be useful in helping someone else begin a similar process of exploration and examination.

re:constructions represents the work of students, staff, faculty, and friends of MIT's Program in Comparative Media Studies. It is not the work of an academic department. It is the work of a community which felt it had to do something to make a difference. We study media and so this is what we had to contribute.

Comparative Media Studies is committed to the goal of "applied humanism" - translating the skills and knowledges of the humanities, arts, and social sciences into a language which can provoke civic dialogue and make a pragmatic difference in the world beyond the university. We see this site as an illustration of "applied humanism" in action.

We come from many different parts of the world, yet we have all been touched by this tragedy. One of our central goals here is to broaden the range of images and ideas found in the American media, in order to foster a better understanding of the global response to these horrific losses and the global concern for what will happen next. The events of 11 September were not only an attack on America; they were an attack on humanity. In the age of the internet, it is possible to read news media from all parts of the world and to reach out, through e-mail, to see what other peoples are thinking and feeling.

We also built this site out of a concern for the racism that is already erupting in communities across America, as national unity gives way to mutual suspicions and fear. As the week progresses, you will hear more and more voices of international students from MIT and elsewhere in the greater Boston community, students of many races, faiths, and nationalities.

This site was designed to start a dialogue. It doesn't speak with one voice. Each writer speaks from their own perspective. Few of us would necessarily agree on any one position, but there needs to be a space where a broad range of voices can be respected and considered.

The name, re:constructions, implies an act of rebuilding. On one level, it refers to the creation of this site itself, much of which was written and erected in the course of one long and largely sleepless weekend.

On another, re:constructions refers to the process of working through challenges these events have posed for our traditional ways of thinking and acting. , and of building new ties across communities historically divided by misunderstandings.

On a third level, re:constructions refers to the process of rewriting the scripts by which our media is encouraging us to make sense of this tragedy. When we refer to news as constructed, we don't mean to imply that these events are not monstrously real, only that the feelings and meanings which we associate with these events have a larger history. We need to understand that historical context so we can decide for ourselves what should be done next.

Some respected members of the CMS community have expressed reservations about this project, suggesting that what separates scholarship from journalism is the act of prolonged reflection and that we run the risk of simply repeating the rush to judgement we are, at least implicitly, criticizing here. We respect these concerns and have struggled with these questions ourselves. Yet, in recent days, we have seen many respected scholars write letters, speak on radio and television, and hold public lectures because they felt it would be irresponsible for the scholarly community to remain silent. For us, the web is a medium of choice. What public intellectuals can offer at such a moment is not scholarship - though it draws on our scholarly background and knowledge - and not journalism - though it strives to be immediate and accessible. We hope that history will recognize that these are provisional statements written in uncertain times for a fluid medium and subject to recall, rethinking, and revision at any time.

Please be patient with our own construction process. We are certain you will find plenty of proof-reading errors and broken links on this site. If you think the site looks ragged, imagine how we look and feel right now. We are going to clean up after ourselves over the next few weeks.

Watch this site for more content. We put up as much as we could before launch, but more is coming. And we welcome submissions from our readers. We can't promise to publish everything that is sent, but everything will be read closely and we will share what we can. Finally, if you'd like to mirror the site, please send us your URL and we'll include it in the appropriate section.

Let's think this through together.

The re:constructions Editorial Team
Candis Callison
Jim Cain
Anita Chan
Alex Chisholm
Stephanie Davenport
Joe Dumit
Will Fowler
Mary Fuller
Shari Goldin
Geraldine Haas
Robin Hauck
Diana Henderson
Walter Holland
Daniel Huecker
Henry Jenkins III
Henry Jenkins IV
Wynn Kelley
Zhan Li
Susannah Mandel
Heather Miller
Shigeru Miyagawa
Douglas Morgenstern
Zach Natif
Alice O'Driscoll
Aswin Punathambekar
Sarah P. Rotman
Jeff Ravel
Sangita Shrevesthova
Elin Sjursen
Kurt Squire
Philp Tan Boom
William Uricchio
Jing Wang
Qi Wang
Tom Wilson
Michele Woodward



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