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Rethinking Media Change: The Aesthetics of Transition

Rethinking Media Change: The Aesthetics of Transition David Thorburn and Henry Jenkins, Editors MIT Press, 2003

The contributors reject apocalyptic scenarios of media revolution, demonstrating instead that media transition is always a mix of tradition and innovation

The essays in Rethinking Media Change center on a variety of media forms at moments of disruption and cultural transformation. The editors’ introduction sketches an aesthetics of media transition—patterns of development and social dispersion that operate across eras, media forms, and cultures. The book includes case studies of such earlier media as the book, the phonograph, early cinema, and television. It also examines contemporary digital forms, exploring their promise and strangeness. A final section probes aspects of visual culture in such environments as the evolving museum, movie spectaculars, and “the virtual window.”

The contributors reject apocalyptic scenarios of media revolution, demonstrating instead that media transition is always a mix of tradition and innovation, an accretive process in which emerging and established systems interact, shift, and collude with one another.

David Thorburn
Written by
David Thorburn

Affiliated faculty member David Thorburn is Professor Emeritus of Literature at MIT and past director of the MIT Communications Forum. His most recent book is Knots, which is also his first book of poetry. Other books include Democracy and New Media and Rethinking Media Change, the launch volumes in the MIT Press series "Media in Transition". Other writings are Conrad's Romanticism and many essays and reviews on literature and media in such publications as Partisan Review, Commentary, The New York Times and The American Prospect as well as scholarly journals. He has published poetry in such magazines as The Atlantic Monthly, Threepenny Review and Slate. His essays on television, written in the late 1970s and early 1980s, and his course, "American Television: A Cultural History," were among the first in the country to examine the medium in a humanistic context. He has also edited collections of essays on romanticism and on John Updike, as well as a widely used anthology of fiction, Initiation.

Thorburn was the founder and for twelve years the Director of the MIT Film and Media Studies program, the ancestor of the Comparative Media Studies program, MIT's first graduate program in the Humanities. In 2002, he was named a MacVicar Faculty Fellow, MIT's highest teaching award. He received his A.B. degree from Princeton, his M.A. and Ph.D. from Stanford and taught in the English Department at Yale for ten years before joining the MIT faculty in 1976.

Henry Jenkins
Written by
Henry Jenkins

Henry Jenkins is the Provost’s Professor of Communication, Journalism, and Cinematic Arts at the University of Southern California. He arrived at USC in Fall 2009 after spending the previous decade as the Director of the MIT Comparative Media Studies Program and the Peter de Florez Professor of Humanities. He is the author and/or editor of twelve books on various aspects of media and popular culture, including Textual Poachers: Television Fans and Participatory Culture, Hop on Pop: The Politics and Pleasures of Popular Cultureand From Barbie to Mortal Kombat: Gender and Computer Games. His newest books include Convergence Culture: Where Old and New Media Collide and Fans, Bloggers and Gamers: Exploring Participatory Culture. He is currently co-authoring a book on“spreadable media” with Sam Ford and Joshua Green. He has written for Technology Review, Computer Games, Salon, and The Huffington Post. - See more at: http://henryjenkins.org/aboutmehtml#sthash.ev25qsgl.dpuf

David Thorburn Written by David Thorburn
Henry Jenkins Written by Henry Jenkins