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When the News Broke: Chicago 1968 and the Polarizing of America

Cover of When the News Broke, featuring the book title and a photograph of protests inside the 1968 Democratic National Convention

Available via The University of Chicago Press.

A riveting, blow-by-blow account of how the network broadcasts of the 1968 Democratic convention shattered faith in American media.
 
“The whole world is watching!” cried protestors at the 1968 Democratic convention as Chicago police beat them in the streets. When some of that violence was then aired on network television, another kind of hell broke loose. Some viewers were stunned and outraged; others thought the protestors deserved what they got. No one—least of all Chicago mayor Richard J. Daley—was happy with how the networks handled it.
 
In When the News Broke, Heather Hendershot revisits TV coverage of those four chaotic days in 1968—not only the violence in the streets but also the tumultuous convention itself, where Black citizens and others forcefully challenged southern delegations that had excluded them, anti-Vietnam delegates sought to change the party’s policy on the war, and journalists and delegates alike were bullied by both Daley’s security forces and party leaders. Ultimately, Hendershot reveals the convention as a pivotal moment in American political history, when a distorted notion of “liberal media bias” became mainstreamed and nationalized.
 
At the same time, she celebrates the values of the network news professionals who strived for fairness and accuracy. Despite their efforts, however, Chicago proved to be a turning point in the public’s trust in national news sources. Since those critical days, the political Right in the United States has amplified distrust of TV news, to the point where even the truest and most clearly documented stories can be deemed “fake.” As Hendershot demonstrates, it doesn’t matter whether the “whole world is watching” if people don’t believe what they see.

Heather Hendershot
Written by
Heather Hendershot

Heather Hendershot studies TV news, conservative media, political movements, and American film and television history. She has held fellowships at Vassar College, New York University, Princeton, Harvard, Radcliffe, and Stanford, and she has also been a Guggenheim fellow. Her courses emphasize the interplay between creative, political, and regulatory concerns and how those concerns affect what we see on the screen (big or little). Students are encouraged to consider the ways that TV and film writers, directors, and producers have attempted innovation while working within an industry that demands novelty but also often fears new approaches to character and narrative. Hendershot is the editor of Nickelodeon Nation: The History Politics and Economics of America’s Only TV Channel for Kids (2004) and the author of Saturday Morning Censors: Television Regulation before the V-Chip (1998), Shaking the World for Jesus: Media and Conservative Evangelical Culture (2004), What's Fair on the Air? Cold War Right-Wing Broadcasting and the Public Interest (2011), and Open to Debate: How William F. Buckley Put Liberal America on the Firing Line (2016). For five years she was the editor of Cinema Journal, the official publication of the Society for Cinema and Media Studies. Her most recent book is When the News Broke: Chicago 1968 and the Polarizing of America (2022).

Heather Hendershot Written by Heather Hendershot